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It is Catherine's twenty-first birthday. Still clinging to her obsessive timetable, she revisits her childhood home. With words hoarded from eight years ago, she is ready to uncover her shocking past, to talk to her family at last. Meeting Myself Coming Back is a tragic and funny play about isolation, identity and the search for a language of survival.
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Oberon Modern Plays
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The Physical Object
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Work Description
Meeting Myself Coming Back: ‘Imagine one of Beckett’s no-hopers clambering out of her sack, dustbin or urn and letting language gamely rip.’ The Times
‘Hood says something enormous: that life is there for the living.’ The Guardian
‘Touching, funny and ultimately tragic.’ Sunday Times Critics’ Choice
‘Hood has an unusual and incredibly compelling dramatic voice.’ What’s On In London
‘What marks out Hood’s new drama is its feel for the serpentine twists and turns of language’s ironies and great skill in manipulating the ebb and flow of words’ meanings.’ Evening Standard
‘There is something breathtaking about the Soho Theatre’s newly commissioned play, not least the standard of the writing…while emotionally wrenching and ultimately devastating, Hood’s incredibly powerful play rewards the efforts on all fronts.’ Whatsonstage.com
’Beautifully written…slick, shocking, frequently funny and very moving. Metro
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| July 24, 2011 | Edited by 82.43.66.196 | Title and reviews |
| December 30, 2010 | Edited by AMillarBot | move edition notes from title to notes field (Oberon Modern Plays) |
| April 28, 2010 | Edited by Open Library Bot | Linked existing covers to the work. |
| December 11, 2009 | Created by WorkBot | add works page |

